Apr28

bolus:

Vivian Maier is a hype I like to believe in.

Jun24

Jan6

Jan5

The gift-giving season might be over, but this books seems like the perfect present for people who love having quirky photobooks on their coffee table (or me, hint hint):

The award-winning project PLAYGROUND of photographer Jeroen Hofman portrays Dutch training grounds where the Fire Department, the Police and the Military are trained in realistic scenarios. In surrealistic ghost towns the emergency services try to prepare for what is factually unknowable: the future. Within the boundaries of this ‘playground’ the chaos seems controllable for a moment; even if only for the duration of the exercise. Hofman has now compiled these pictures taken the the last few years from atop a cherry picker into a book.
You can order it online via Jeroens’ website and if you’re still not convinced, you can view some more spreads on facebook.

Nov22

May8

If you liked that Back to the future photoseries by Irinia Wernings that was all over the web some weeks ago, then check out Mimicry by Judith van IJken and buy her book:

The book consists of portraits of people aged approximately thirty years old wearing a piece of clothing that one of their parents used to wear when they had the same age, together with a old photograph of their parents wearing the specific item.

— via Hippolyte Bayard

If you liked that Back to the future photoseries by Irinia Wernings that was all over the web some weeks ago, then check out Mimicry by Judith van IJken and buy her book:

The book consists of portraits of people aged approximately thirty years old wearing a piece of clothing that one of their parents used to wear when they had the same age, together with a old photograph of their parents wearing the specific item.

Aug2

Jardena Gil

View the complete publication on Issuu here.

From the publisher (sorry, dutch only):

„Fotografe Jardena Gil (1970) wil met haar foto’s laten zien wat alom aanwezig is, maar niet gezien wordt. In het fotoboek Jardena Gil wordt de toeschouwer gedwongen om stil te staan bij gebouwen. Anonieme gebouwen die anders niet gezien worden. Om zo hun doorleefdheid en bezieling, hun verborgen geschiedenis, hun essentie, hun gelaagdheid, maar bovenal hun schoonheid te laten zien.”

May13